Terrassa theater Chronicle of1951, November 3th told about 'Don Juan Tenorio' show that Compañia Titular de Comedias de Radio Terrassa played at Teatre Principal of the town.
In 1952, on August, September and October editions of Club de Radio Terrassa magazine for its partners, Francesc Izquierdo wrote a three parts serie targeting to readers encouraging they to create radio theater scripts.
In 1984, at number 35 of the Magazine edited by Radio Terrassa, a double-page report was published about the new stage of the Quadre de Veus de Ràdioteatre started some months before after the tribute to the broadcaster and actress of the Quadre de Veus Lídia Segués, for the commemoration of her 25 years of work.
In an article published in the magazine "Radio Terrassa", in May 1988, the activity of the Quadre de Veus was reviewed after resuming in 1983,
On "Diari de Terrassa", on 1988, February, 5th edition was published a press about Quadre de Veus de Radioteatre de Ràdio Terrassa and its activity.
Article published on "Diari de Terrassa", on April, 3rd 1990, to mark the awards ceremony for the actors and actresses of "Quadre de Veus de Radioteatre" in recognition of their work.
Earlier Radio Theater plays, issued at the early 1920's, were theater scripts played on a conventional stage in which superimposed the voice of a narrator explaining on radio all that was not appreciated only with the ears .
In 1961, Spanish Radio and TV Gemeral Management Office thought that seven Lorca's scripts were 'not allowed for broadcasting' because its content and were forbiden until 1977. Some of those scripts were rhe three gold Lorca pieces: 'Yerma', 'Bodas de sangre' and 'La casa de Bernarda Alba'.
To simulate the sound effect ticking of a clock, we can achieve if we roll a pencil between our hands with a ring on one finger.
To simulate the sound effect of a shower can be achieved by slowly pouring a bag of rice in a plastic container.